Trg Žrtava fašizma, HDLU, 17.01.-07.02.2014.

In an essay written for new work of Zlatko Kopljar, K19, Žarko Paić, in the context of Adorno, Badiou and Lyotard, ask a question: Can contemporary art provide a possibility for man’s redemptive reversal? How and when does it become legitimate to open the possibilities of facing the question of boundaries between the sublime and the evil if just turning

history into a museum issue at the time of techno-science visualizes everything that took place as artifact and information in databases? The seal on the procedures of truth is put by a third party. The utterance does not include a naïve illusion about yielding the history to neutral historiographical science.